Simmons , who works for a secretive United Nations outfit in Berlin. Privy to it are the senior members of the large, somewhat bumbling bidimensional bureaucracy that manages the portal, who are allowed to pass between worlds using visas measured in hours. Simmons excels in both. See the full list of nominees at variety. Why does one look like Berlin and the other like 22nd-century Shanghai? Simmons, whose double-barreled performance makes the show the most entertaining new series of the winter. Travel from one world to the other — entirely on official business — involves inoculations, visas and stone-faced border agents. Apart from a dark passageway and some barred doors, it resembles going through airport customs, only less annoying.

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An assassin — a woman — has been sent over from the other side to kill somebody on Howard's side. The first Howard Silk we meet is a mild-mannered everyman who happens to have a job requiring the utmost secrecy. They share the same memories of childhood, which means their paths ran parallel up to a certain point. Read the full article at HollywoodReporter. Multinational advertising, marketing and communication company WPP plc, an early investor in MRC, will remain a strategic investment partner in Valence. Simmons is worth the price of admission, but it's the complex story, themes of identity and potential of the series that makes it seem like a steal. Howard says, more than once, that he doesn't really know what the division of his company, known as the Office of Interchange, really does. What's going on, at the concept level, is a playful iteration of the Cold War itself — the "other side" might be East Berlin and in East Berlin "the other side" might be the West. But they're not telling. It is a fabulous piece of acting — he uses small, tiny tics of behaviour and body movement to indicate he's not Howard, he's Other Howard. These are the moments when the show is at its most riveting, when the infinite questions its premise presents are answered. Same people, with the same lives and traits, but there are some differences. Some elements don't bear too much inspection. They have a soulfulness and authority that only comes from having lived a little. Espionage narratives often involve questions of identity, of course, with players pretending to be someone they're not — and forgetting who they are. He's played a mean band teacher in Whiplash, Spider-Man's boss in the Sam Raimi Marvel films, and a gentle patriarch in several family sitcoms. Both setting and setup directly invoke the Cold War so beloved by spy fiction: Cars drive on the ground. ET and on-demand on CraveTV is an old-fashioned espionage thriller taken to a warped new level. And where Our Howard is a nice guy who loves his wife the great Olivia Williams, in a coma as we open , Other Howard is not particularly nice — "disappointing" is his blunt assessment of his second self — though he may turn out to be a good guy in the end, who possibly loves his wife. They also drive home Mr. And then he finds out — and has his mind blown. Show business fans will recall Mr. He knows about this stuff. Turns out — and the explanation for this early on is, at best, murky — the East Germans accidentally stumbled on a parallel universe about 30 years ago. Any time there's a hesitation, there's Simmons, whose outstanding work won't let you pull away, giving Starz and creator Marks a series that could stand out in the TV jungle.

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